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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, a key member of the pioneering 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the team achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He later founded the pioneering electronic act The Grid, who achieved popular acclaim with 1994's Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on Wednesday 22 October, just weeks after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that show, Ball performed in a wheelchair, as he had for the last two years, following a spate of ill-health.

"I managed to injure myself significantly," he commented in 2023. "I broke lower vertebrae in my back and cracked about five ribs and broke my arm."

After contracting a lung infection and suffering from blood poisoning, he was placed in an induced coma and remained in the hospital for seven months.

Nevertheless, he had been in "a great place emotionally" over the summer, as he worked on a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for release next year.

"He was focused and very pleased with the latest project that we actually completed only a few days ago," said the singer in a tribute.
"It's so sad as next year was completely planned to be such an positive time for him, and I take some solace from the knowledge that he listened to the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond described his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense part of my existence and for the songs you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a partnership with someone is distinct from being in a band, the bond is incredibly close," he continued.
"That's how it was with us. We experienced so many extraordinary, extraordinary, life-affirming experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Brought into the world into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was 18 months of age.

He grew up in Blackpool with his new family Donald and Brenda Ball, who changed his first name from his birth name to his adopted name, together with his sibling Susan, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both learning art. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly recorded an EP.

Creative Collaboration

The duo were an unusual combination: Ball was the quiet musician, bent over his synthesizer, while Almond was a flamboyant performer, all sparkle and eye-liner; but they attained a rare creative synergy.

Ball had cultivated a fascination with synthesizers after watching the band Kraftwerk appear on a television science show Tomorrow's World, and began to combine dark electronica to the soaring melodies Almond was composing.

Tainted Love became the UK's second biggest-selling single of 1981, selling millions of copies worldwide. Together with hits by Gary Numan, contemporary bands and Ultravox, it contributed to cleared the way for the synth-pop sound of the 1980s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The pair were developing new material right up until Ball's passing

Career Highlights

Fame had its upsides. "I enjoyed being able to afford my first home, having financial security and exploring, which might seem like a Miss World," Ball recently told with a publication.

But it also presented problems. "Sudden riches meant we could purchase newfound drugs to alleviate the boredom" of press appearances and TV performances, Ball explained.

"I know that's a common saying, but it's a cliché for a good reason, because it applies for so many musicians."

Amidst the party-filled existence, the pair were also drifting apart, but they succeeded to produce a follow-up classic album - the unconventional, edgy and aptly-titled The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the Top 40 record Cruelty Without Beauty.

After another break, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the large venue on September 30, 2018.

Yet, they remained together, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently described the duo's new album as a homage to the NYC nightlife they frequented while recording their initial records.

He noted that his period in hospital had influenced the band's sound.

"I had unusual memories when I was coming and going of hospital because I was on morphine," he explained to a publication.
"The new songs are a digital reflection of the sounds in my head from those days.
"In parallel, it's about the times we had in the 1980s."

The last versions were completed only days before Ball passed away. It is due for launch in Spring 2026.

By

Madeline Sheppard

Liam de Vries is a Rotterdam-based journalist and urban culture enthusiast with a passion for street art and underground music scenes.

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